We will start streaming The Wilderness at noon (EST) today. The pre-order for the album will start at noon as well. Sorry for the delay….we will keep the streaming album up for an extra day. Come on back in another hour….see you then.
Take a bit of Nebraska; a bit of Badlands; sprinkle in a couple of characters from The Caution Horses. Mix it together with my orange Resolectric and whisk in a fading Fall evening by Lake Ontario. And then pour it all into the mold formed by the attempted hard-wiring of a Catholic upbringing…and, voila…..Demons:
I was taught that there are
demons out there
so that’s what I believe.
You take away my demons
you take away my peace.
Broke my leg
at the age of twelve
couldn’t kneel beside the bed.
Learnt the lesson of habit
the prayers I left for dead.
Met him in
a corner booth
the jukebox at his side.
He took away all my quarters
he took me for a ride.
I saw his eyes
when the fires on
I never want that blaze to die.
If you take away the burning embers
you take away the burning sky.
If I could switch it
all around
I’d make you my very first kiss.
I’d take away the mystery
just to see what I missed.
I was taught that there are
demons out there
so that’s what I believe.
We will be having a listening party for The Wilderness on the site on February 23rd (which is the day that we will also start pre-orders for the album). Stop by and give the album a listen.
When I write I need seclusion: somewhere to sit and stare and think and mutter to myself and plink away on my guitar. I often rely on the kindness of strangers (or family and friends) and borrow their unused rural retreats, where I set up for a week at a time and get lost in myself. It’s a completely egocentric, selfish way to spend ones time…and I love it. I think it’s my favourite part of an album project: the week starts with an empty page and six tuned strings and ends up with a song, alchemy at its finest. One of the locations where I wrote a lot of the songs for The Wilderness was a small cottage in Presqu’ile Park, set on the shore of Lake Ontario about two hours east of Toronto. We Are The Selfish Ones is, in some ways, a song about the process of creating, it’s about sitting and reflecting, it’s a nod to those of us lucky enough to make a living reflecting our inner most thoughts back at the world. Here is my song-writing demo for the song…I ended up adding another verse right before Margo sang the version that ended up on The Wilderness.
He sits alone in his perfect shack
the lake beside him freezing
the sun no longer shining
much past four o’clock.
We are the selfish ones
We are the lucky ones
We are the needed ones
She falls asleep, the book on her lap,
“all things change to something new,
something strange.”
We are the selfish ones
We are the lucky ones
We are the needed ones
We walk along with my hand on your back,
the days behind receding
forward to a day when all we love will pass.
We are the selfish ones
We are the lucky ones
We are the needed ones
He sits alone in his perfect shack
the lake beside him freezing
the sun no longer shining
much past four o’clock.
We will be having a listening party for The Wilderness on the site on February 23rd (which is the day that we will also start pre-orders for the album). Stop by and give the album a listen.
We have started a contest on Facebook in which you can win two tickets to an upcoming show of your choice by simply entering your email. You need to be a Facebook member in order to enter. Just go to the Cowboy Junkies page on Facebook and click on the “Nomad Tour 2012 Tour” tab on the left hand side of the page. Good luck and we hope to see you soon.
Also, we will be starting pre-orders for The Wilderness on February 23rd. In celebration of releasing the final volume of the series we will be having a one day listening party. We will posting the album here on the 23rd, so stop on by for an hour and take a listen.
Last Spring a long time friend of the band, John Bottomley, a fellow musician, died unexpectedly (as they euphemistically say in the obituaries these days). John had been living on Vancouver Island for many years. He had fallen in love with the mountains, the rivers and the trees, but, I guess, had fallen out of love with life. At his funeral his mother lamented the fact that John had settled out west, if only he had been living closer to home, back in Ontario, closer to his family and friends, closer to his roots, if only….
Unanswered Letter was the last song that I wrote for The Wilderness and the last song that I wrote for The Nomad Series. It was a few days after John’s funeral and I headed up to Margo’s farm to try and finish off a few songs: a beautiful spring weekend, with all of the streams and rivers roaring and the spring migration gathering steam (not unlike the weekend weather that had inspired the song Good Friday fifteen years earlier). As I sat beside the river that flows across Margo’s property I thought about John and tried to imagine a state of mind in which even the chatter of a returning red-wing blackbird, a harbinger in these parts of warmer, brighter, easier days to come, could be interpreted as a mocking, insulting cry, “I am home and you are not”.
After Pete, Al, Margo and I had worked up a bedtrack for the song I sent it out to Joby Baker in Victoria, to see where his imagination and talent would take the song. Joby had worked with John on his last album, but I didn’t tell Joby what or who the song was about. What I got back was completely unexpected; an eerie, haunted backing track of bowed bass and ghostly vocals. What was most unexpected was that the song now sounded like a John Bottomley song….the mystery of the creative process: it keeps some of us going, until it doesn’t.
Here is the demo that I wrote and recorded that beautiful Spring day:
Her heart torn open
and left like an unanswered letter.
Words were not spoken
just left in a spidery scrawl.
Twisted and gutted,
the last of the smoke in the air.
She gets up to leave
and idly fixes her hair.
Words from home, words from home.
What we miss are words from home.
I lost my heart
I left it alongside the river.
That blackbird clucking
songs he knows nothing about.
That bird returning
to a home that makes him sing out.
Words from home, words from home.
What we need are words from home.
We will be having a listening party for The Wilderness on the site on February 23rd (which is the day that we will also start pre-orders for the album). Stop by and give the album a listen.
I began work on many of the songs that found their way onto The Wilderness in late 2007/ early 2008, (months before my family and I took off for China, the trip that would inspire Renmin Park, the album that would kick off The Nomad Series). Some friends of mine had graciously given me the use of their writers retreat: an old crumbling cottage perched high upon the Niagara Escarpment about one hour north of Toronto. I spent several days a month, over the course of that winter, huddled by the enormous woodstove, watching the snow drift and the birds come into the feeders, plunking away on my J200, trying to figure out what direction our next album should take. Some of these songs made it as far as the concert stage, and throughout the Spring and Summer of 2008 we performed them on tour. But I could never get a handle on the collection of songs that was beginning to emerge. They never felt part of a single “piece”; I couldn’t figure out what tied them all together and therefore had no direction to chase them and without a direction it seemed pointless to try and form them into a defined collection of songs. But then my trip to China intervened and with that came a whole set of new ideas and the preliminary concept for the Nomad Series. From the outset it was decided that many of the songs that we had been working on before China, would be held on to until Volume 4. We figured that with the luxury of time and distance we would be able to get some perspective on these songs, so we put them away.
Sure enough, time and distance did the trick, but so did the chance coupling of this set of songs and Enrique’s winterscape that graces the album cover. The Wilderness which I had originally chosen as a “place holder” while we mocked up the cover, became the perfect title. Enrique’s painting became the physical manifestation of these songs, this is what these songs “looked” like. And the title, The Wilderness, in some odd way seemed to define what these songs were actually “about”: fragility, emptiness, loneliness, beauty, loss, desperation, the delicate balancing act that makes up a life. They are about being lost in the wilderness of age, the wilderness of parenthood, in the wilderness of just trying to find meaning and substance, happiness and truth in ones day to day life. They are about standing alone in middle of it all, breathing in the cold still air and wondering.
Fairytale is one of the first songs that I wrote for The Wilderness. Here is my demo for it. (The Wilderness will be for sale from our site starting February 23rd)
It’s nice to sell what one creates and to get some lucre for ones efforts, but when it comes right down to it the most satisfying reward is when someone tells you that your work inspired their work.We got the following email the other day…take a look, its well worth the 4 minutes….
Cowboy Junkies,
I was listening to an interview on NPR featuring you and your song, “I Cannot Sit Sadly By Your Side.” I was so moved by the passion, heart, story, musicality, and vocal talents featured in this song, that I was inspired to create a dance piece for it. I wanted to thank you for the music and send you a link to the final product.
As we creep towards 2012 and the end of the world, we figured that it is only fitting that we have a big “blow out” sale in the Junk Store. So we’ve discounted everything in the store by 20%. The sale will last until the world ends or January 15th (whichever comes first). I hope you are all having a peaceful and safe holiday season.
I hope everyone has a safe and happy holiday season. Here is the quasi-title track from the upcoming Volume 4 (The Wilderness)…our holiday gift to all of you for taking the time and making the effort to listen to what we create. This song owes a huge debt to the Marilynne Robinson novel “Gilead” (as do many of the songs on “The Wilderness”). I have a habit of copying inspiring passages or lines in my notebook when I am reading. I often refer to these notes when I’m doing my own writing or when I’m stuck and looking for a direction. I think I could have copied half of this novel into my notebook. The novel takes the form of a letter written by an elderly, dying pastor to his seven year old son. It is a dense read and the type of book that you only want to undertake when you know you have a good stretch of time to devote to sitting, reading and thinking (such a luxury these days, eh?). Here is a sampling from the book…mull on these thoughts as you stand in line at Target, waiting to return Uncle Ernie’s holiday offerings…”A father must finally give his child up to the wilderness – trust that there will be angels in that wilderness.” …and as you inch closer to the cashier…”We fly forgotten as a dream, leaving the forgetful world behind us to trample and mar and misplace everything we have ever cared for. That is just the way of it, and it is remarkable.” Have a fantastic break…enjoy the music.
Last year we announced that we were about to undertake a four album project called The Nomad Series and that the project was going to be completed in 18 months. Well, depending on how you do the calculation, today is the 18 month anniversary. The way I figure it, we officially released volume 1 (Renmin Park) on June 16th, 2010, so I count that as the official start of the ticking clock. Projecting 18 months forward from that day lands us squarely in the middle of today. So what can I say…oops…we tried, we failed…mea culpa…. My excuse is that the reality of earning a living got in the way of our ambition and I had to suspend production on Volume 4 when I got offered to do the music score for a very interesting documentary project called My Father And The Man In Black (more on that in the months to come). This set the production schedule back by about six weeks. In any case, the good news is that all of the recording for Volume 4 (The Wilderness) has been completed and we have just started mixing. We aim to have the album finished and mastered by mid January and to have the finished goods in hand when we start touring again in February. Once we have the finished master (in mid-January) we plan to have a one day listening party for the new album on the website, so that we can claim that we only missed our deadline by a few weeks (we’ll give everyone a lot of notice about the date when we finalise the details).
Ultimately, the whole point of the project was to put out four albums that forced us to stretch our imaginations and talents and to pull on the experience that we have accumulated in our 25 plus years as a band. We also wanted to make sure that we pushed the expectations of those of you still listening. We think we have done that and we hope you agree. Quality first…right? We think Volume 4 will be a fitting capper to the whole project. I’ll start blogging about the making of the album and posting audio in the New Year, so don’t wander too far. We will also be having a blowout sale in the Junk Store starting right after Christmas so keep your eyes on the site.