In the Fall of 2005 I rented a small house in the Horseshoe Valley (about one hour North of Toronto) a tiny little cottage on a beautiful piece of land that backed on to 40 acres of woods. Running through the woods was a stream that was still used by salmon during the autumn spawning season. I called the house 48 Mill Pond Rd. This is where I escaped to work on the songs that would eventually become At The End Of Paths Taken.
I rarely sit down with the objective of writing a set of songs based on a single theme. Usually the theme or themes suggest themselves as the songs are developed. But for this album I set out to write an album that dealt with “family” and all of the complex relationships that are suggested by the word. Those relationships and how they continue to echo down through generations is something that, as a parent of three young children and as a son of aging parents, had been playing/preying on my mind for the previous few years. As the writing progressed, the songs began to pull in more complex directions. “Family” remained a dominant theme but events of the larger world and how those events, subtly and not so subtly, influence the “family” relationship began to creep in to the songs. It was like the themes that we explored on “Early 21st Century Blues” (violence, fear, greed, war, loss) had not been fully exorcised and were insinuating themselves in to these very intimate songs about the dynamics of personal family relationships. I’m not sure if it is my age or the age we live in, most likely its a combination of the two, but the songs began to hint at themes of inevitability, finality, not exactly predetermination, but a sense of running out of choices, a sense of being at the end of paths taken.
When I brought the songs home from 48 Mill Pond Rd. it was time for us, as a band, to start to develop them. Some made their way to Margo’s Farm where we moved our studio and did an intensive two week session to kick start the project; some ended up in Victoria, BC where Joby Baker added a handful of magic touches; some were completely reworked using bass-lines supplied by Alan; and then there were the strings supplied by Henry Kucharzyk. Here are some of the songs in their various states of being, listen as the songs meander down their separate paths..